Music
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Addendum to the Grateful Dead post
I came across this interview with Ann Coulter on JamBands.com, evidently she’s quite the fan. Favorite Quote:
Moreover, I really like Deadheads and the whole Dead concert scene: the tailgating, the tie-dye uniforms, the camaraderie – it was like NASCAR for potheads
Most interesting fact
My collection of Dead tapes, by the way, was the reason I heard one of the Linda Tripp tapes before Ken Starr did. Tripp’s lawyer obviously needed to hear the tape before turning it over to the prosecutor, but he only had an old 1950’s tape player and couldn’t get it to work and Ken Starr wanted the tape the next morning. He was terrified he’d hit the wrong button and erase the evidence. In the wee hours of the morning, it occurred him, a Deadhead himself, that he knew one person in D.C. who definitely had a tape machine. So, at around 2 AM, he called me and asked to come over to use my tape deck.
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Friday in appreciation, volume III
I was in Chicago last week so I didn’t get a chance to do the in appreciation post, but here is this week’s.
This week’s in appreciation is the Grateful Dead. While I’m not a huge fan of the music (I love Old and in the Way, and the Jerry Garcia Acoustic Band is quite good) they stand out as true American icons, especially for artists. Not only did they commit to a style of music and a style of life, they created it first. And seemingly with the attitude that it’s better to have a small achievement than a great excuse (to paraphrase Hoffer). They spend 30 years doing what they wanted to do without asking favors or permission. Contrast that to the Live 8 and the Live Earth crowd and they become a marvel.
So, Grateful Dead, you get this week’s In Appreciation.
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A good time was had by all
My first ever gig at Limerick Junction was a success. Everyone seemed to have a good time. The songs “I Miss Ronald Reagan” (written by Tommy Womack) and my song “Heroin and Cheetos” seemed to go over particularly well. My would-be guitar showcase of Bonaparte’s retreat fell a bit flat. The room sounds noticeably different when full than when half full and that threw me off a bit as the set progressed.
On the whole a good night. The A-Sides rocked as usual. The photo was taken by my brother, who also recorded the show.
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Come see me play tonight
If you’re in Atlanta come out and see me play in my first ever scheduled gig this Sunday at Limerick Junction Pub. I’ll be going on at 8:00. Atlanta legends the A-Sides are the headliner.
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Last night’s open mic
It was a decent performance, the crowd was withdrawn, but not rude.
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A good crowd
As usual, I did the open mic last night. Unusually, there was a good and enthusiastic crowd, probably the best I’ve ever had. I happened to be in fine voice last night too, which helped. A good time was had by all.
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Performance anxiety
So, at long last, I have my first gig as a solo performer in one month, opening for the A-Sides. And I need a full hour of material.
It’s good to have goals. And deadlines and stress I suppose.
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Local music legends mentioned in the mainstream media
Atlanta based garage rock duo The A-Sides are briefly mentioned in today’s Atlanta Journal Constitution.
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Sunday photography
I wound up taking some shots for a friend of mine’s site and wound up with a lot of good shots. My brother took the one of me (the first one) and I took the one of Steve Coffey (of the band the Rockin’ Pontoons) (the second one). Galleries on the way soon.
Taken at my brother’s house
Taken off of North Highland
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It’s hard to sell domestic violence
While on my way to the Open Mic last night I passed a street performer/near vagrant. As I walked by I got the a pitch for money, with the memorable opening line of “Can you help me out man, I just did six months for domestic violence”. I gave him a dose of the evil eye (look at a spot an inch above his eyes, try it, it works) and he backed off rather quickly.
Why would he think that would be a good way to get money out of anyone? Then again, thinking probably isn’t a strong suit.